MOVIES™
Gníomhaigh do Chuntas SAOR IN AISCE!
Ní féidir le baill ach ár leabharlann scannán agus físe a shruthlú nó a íoslódáil
Lean ort ag faire SAOR IN AISCE ➞Tógann sé níos lú ná 1 nóiméad chun Cláraigh a dhéanamh ansin is féidir leat taitneamh a bhaint as Teidil Scannáin & Teilifíse Neamhtheoranta.
A Propos D'Un Crime
In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”
Seánra: Documentary
Scaoileadh: Jan 01, 1967
Caitheadh: Jean Sénac, Brahim Hadjadj, Luchino Visconti, Anna Karina, Marcello Mastroianni, Jean de Maisonseul
Teanga: Français
Eochairfhocal: philosophy, making of, algeria, anti-colonialism, maghreb, djazair, casbah alger, anti racism, on the set, algerian artists
Subtitle:
ETC.
ETC.
Mar an gcéanna
