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Con la pata quebrada
What was the role of women in Spanish cinema from the 1930s to the present explained through fragments of different films, both fiction and non-fiction. (Followed by “Manda huevos,” 2016.)
Momo: Documentary
Tuku: Jun 14, 2013
Kaimahi: Diego Galán (Director), Carlos Bernases (Producer), Diego Galán (Writer), Enrique Cerezo (Executive Producer), Juan Barrero (Editor), Esther García (Producer)
Maka: Carlos Hipólito, Ángel de Andrés López, Imperio Argentina, Aurora Bautista, David Carpenter, Antoñita Colomé
Reo: Español
Studio: Enrique Cerezo, El Deseo
Kupu matua: cinema on cinema, movie business, franco regime (francoism), censorship, spanish transition, spanish second republic (1931-39), women and society, spanish cinema
Subtitle:
ETC.
ETC.
He rite
