MOVIES™
Mu Account rẹ ọfẹ ṣiṣẹ!
Fiimu ati ile-ikawe fidio wa le jẹ ṣiṣan tabi gbaa lati ayelujara nipasẹ awọn ọmọ ẹgbẹ nikan
Tẹsiwaju lati wo fun ỌFẸ FREEYoo gba to lẹhinna iṣẹju 1 lati Iforukọsilẹ lẹhinna o le gbadun Awọn fiimu Kolopin & Awọn akọle TV.
Pag-ukit sa Paniniwala
A five-year visual ethnography of traditional yet practical orchestration of Semana Santa in a small town where religious woodcarving is the livelihood. An experiential film on neocolonial Philippines’ interpretation of Saints and Gods through many forms of rituals and iconographies, exposing wood as raw material that undergoes production processes before becoming a spiritual object of devotion. - A sculpture believed to have been imported in town during Spanish colonial conquest, locally known as Mahal na Señor Sepulcro, is celebrating its 500 years. Meanwhile, composed of non-actors, Senakulo re-enacts the sufferings and death of Jesus. As the local community yearly unites to commemorate the Passion of Christ, a laborious journey unfolds following local craftsmen in transforming blocks of wood into a larger than life Jesus crucified on a 12-ft cross.
Oriṣi: Documentary
Tu silẹ: Oct 21, 2018
Atuko: Hiyas Baldemor Bagabaldo (Director), Hiyas Baldemor Bagabaldo (Cinematography), Hiyas Baldemor Bagabaldo (Editor)
Simẹnti:
Ede:
Situdio: Turumpo Productions
Koko-ọrọ: politics, ritual, visual arts, philippines, anthropology, religion, imagery, nonlinear timeline, colonialism, catholicism, iconography, culture, documentary filmmaking, post-colonial, observational cinema, ethnographical, neo-colonialism, nature documentary, folk art, ethnography, audio visual experience, hispanic monarchy (spanish empire)
Subtitle:
ETC.
ETC.
Iru
